RICCARDO VOJVODA
Sound Designer | Audio Post-Producer
Production sound and audio post-production for video productions, communication agencies, filmmakers, directors and artists. Film, documentary, branded content, corporate and institutional video, animation and motion graphics, video games, radio spots: layered sound design, stereo and surround mixing, music selection and composition, synthetic voice direction, ADR and location sound with a full kit.
Production sound and audio post for film, documentary, branded content, animation and video games: sound design, stereo and surround mixing, music, voices, ADR and location sound.
Remote work in Italian, English and French.
For shoots, on location in Italy and abroad.
Brands and productions
See all
Portfolio
Featured projects
A few pieces chosen from the many I have worked on since 2006. Pick a genre to see more.
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Services
What I do
From the shoot to the final master, remote or on site.
- Full audio post-productionDialogue editing, sound design, foley and stereo, 5.1 and 7.1 mixing, delivered to broadcast and streaming standards.
- Location soundDocumentaries, interviews, branded content and corporate, in Italy and abroad. Full kit, up to 6 wireless channels.
- Installations and planetariumsImmersive sound design and multichannel mixing for museums, exhibition spaces and fulldome.
- Voice and voice-overNarration, voice-over and AI voices, with casting, recording and mixing. In Italian, English and French.
Insights
Practical guides
Practical answers for people who make video and want to understand how sound work is done.
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Music for a radio ad: what the licences of Artlist, Epidemic Sound and the other libraries cover Many royalty free subscriptions do not cover radio. Service by service: Artlist, Epidemic Sound, PremiumBeat, AudioJungle, Envato Elements, Soundstripe, Pond5, Motion Array, Uppbeat. And why cutting the track does not remove the need for a licence. -
The sound design brief: 10 things to tell your sound designer before starting What to put in the audio brief for a commercial or a corporate video: style, destinations, references, final edit, music, voice, versions, deliverables, timing and revisions. With a template to copy. -
AI voice or a real voice actor for your commercial? When it really pays off (and what the AI Act says) A synthetic voice works well for simple scripts, social media and informational videos, especially in English. The more a script calls for interpretation, the more a voice actor pays off. How the work changes, where you hear the difference, licences and AI Act obligations from 2 August 2026.
About
Riccardo Vojvoda
Sound designer, audio post-producer and production sound mixer since 2006. Trained at the Trieste Conservatory, SAE Institute Milan and in Paris. Since 2021 I have taught audio post-production at H-Farm College and IUAV Venice.
My backgroundPartners
I work in teams
With production companies, agencies and creative studios: with CROMO for the picture, with BIAS for audio post-production and music.
- CROMO
- Invrsion
- Method
- PM2
- BIAS
- D&Co
- Studio Creta
BEHIND THE SOUND DESIGN
A look behind the scenes: sessions, stems and before/after comparisons, headphones on. On Instagram, @sound_design_rv.
