Profile
About
Sound designer, audio post-producer and production sound mixer since 2006. Trained at the Trieste Conservatory, SAE Institute Milan and in Paris. Remote or on site, in Italian, English and French.
A graduate in Music and New Technologies from the Trieste Conservatory, I started working in production sound and post-production in 2006, after years as a music producer and mixer.
In 2010 I continued my training at SAE Institute in Milan and then in Paris, where I spent four years in post-production for short films and documentaries, absorbing the attention to sonic detail typical of the French film school.
Back in Italy in 2015, I carried on in production sound and audio post-production for the corporate and advertising sector, working with CROMO and brands such as Maserati, Diadora, Stellantis, Everli, The North Face and many more.
Over the years I have handled the sound of many independent documentaries and short films and, more recently, of a feature-length thriller in 5.1, covering production sound, dialogue editing and sound design. I also work on immersive content in 5.1 and 7.1 for planetariums and surround installations, combining technical skill, musical sensitivity and a narrative approach to sound, always in service of the picture.
Since 2021 I have taught Audio Post-Production at H-Farm College and IUAV Venice, passing on a working method that brings together technique, listening and creativity.
I keep my workflow up to date, adopting AI tools to streamline sound restoration, editing and mixing while holding to the quality and delivery standards of cinema, TV, streaming and the record industry.
I work remotely or on site with studios, production companies and artists in Italy and abroad. I speak Italian, English and French and understand Spanish.
In short
20 years of experience
Sound designer and post-producer since 2006 on film, documentary, corporate and branded content. Trained at the Trieste Conservatory, SAE Institute Milan and in Paris.
End-to-end approach
Independent but collaborative: I slot easily into production teams or run the whole audio workflow (restoration, editing and mix) while keeping artistic consistency and professional standards.
Advanced skills
Pro Tools, DaVinci Fairlight and iZotope RX, stereo and multichannel (5.1 / 7.1) mixing, broadcast standards and AI tools for sound restoration, editing and workflow optimisation.
Creative vision
Technical precision, musical sensitivity and sonic storytelling to build a sound world consistent with the visual and narrative intent of each project.
Sonic horizon
I design and build sound as an integral part of the visual story, taking care of every layer, from dialogue to the design of ambiences and non-diegetic effects, to guarantee coherence, intelligibility and emotional balance.
I work collaboratively with directors, editors and content creators, but I am also fully independent: I can carry the whole creative and technical side through to a rich, engaging result that fits the style of the product.
Clients and collaborations
Alfa Romeo, Maserati, Fiat, Lancia, Abarth, Azimut Yachts, Renault Trucks, Diadora, The North Face, Everli, CMP, Ballantyne, Lane Rossi, Calligaris, Connubia, Valcucine, Nero Cucine, Arrital, Copat Life, Laufen, Oasis, Pulkra, Varaschin, Lainox, Friulinox, Fitt Industrial, Casagrande, Savio, Goriziane, Benincà, Alpi Woods, Federlegno, Roxa, Zilo, Hausbrandt, Ponte 1948, Pitars, LaMarca, Fantini Wines, Sacchetto Vini, Weldan, Moroder, Mr.Bio, Arcadia Earth, H-Farm, IUAV, University of Chichester, SOS Chirurgia (RealTime), SIGEP, HOST and others.
The full profile is available as a PDF.